A cura di Antonella Caminita e Rosalia Francesca Margiotta
W.J. Cripps, Old English plate, ecclesiastical, decorative and domestic: its makers and marks. With improved tables of the date letters used in England, Scotland, and Ireland. Founded upon the papers and tables of C. Octavius, London 1878.
W. Burton, A history and description of English porcelain, London 1902 https://archive.org/details/historydescripti00burt
M.L. Solon, A brief history of old English porcelain and its manufactories; with an artistic, industrial, and critical appreciation of their productions, London 1903.
Catalogue of the collection of English pottery in the Department of British and Medieval Antiquities and Ethnography of the British Museum, a cura di R.L. Hobson, London 1903.
A.H. Church, English porcelain made during the eighteenth century, illustrated by specimens in the national collections, London 1904.
A.F. Kendrick, Exhibition of English embroidery executed prior to the middle of the XVI century, catalogo della mostra (London, Burlington Fine Arts Club 1905) London 1905.
C.J. Jackson, English goldsmiths and their marks: a history of the goldsmiths and plate workers of England, Scotland, and Ireland; with over eleven thousand marks, reproduced in facsimile from authentic examples of plate, and tables of date-letters and other hall-marks employed in the assay offices of the United Kingdom, London 1905.
W. Moore Binns, The first century of English porcelain, London 1906.
N. Dawson, Goldsmiths’ and silversmiths’ work, London 1907.
C.J. Jackson, English goldsmiths and their marks: a history of the goldsmiths and plate workers of England, Scotland, and Ireland; with over thirteen thousand marks, reproduced in facsimile from authentic examples of plate, and tables of date-letters and other hall-marks employed in the assay offices of the United Kingdom, London 1921.
B. Rackham, H. Read, English pottery, its development from early times to the end of the eighteenth century, London 1924.
M.H. Longhurst, English ivories, London 1926.
Catalogue of carvings in ivory, a cura di M.H. Longhurst, 2 voll., London 1929.
Catalogue of English ecclesiastical embroideries of the XIII to XVI centuries, a cura di E.R.D. Maclagan, London 1930.
M. Chamot, English medieval enamels, London 1930.
W.G. Thomson, A History of Tapestry from the Earliest Times until the Present Day, II ed., London 1930.
C. Marvin Ross, A fourteenth century English enamel, in “The Burlington Magazine for connoisseurs”, vol. LXIII, 1933, pp. 135-136.
B. Rackham, Medieval English pottery, London 1948.
P. Wilding, An introduction to English silver, London 1950.
A. Grimwade, The Queen’s silver: a survey of Her Majesty’s personal collection, London 1953.
J.F. Flanagan, Spitalfields silks of the 18th and 19th centuries, Leigh-on-Sea 1954.
F. Lewis, James Leman (working 1706-1718) Spitalfields Designer, Leigh-an-Sea 1954.
G. Wingfield Digby, English tapestries at Burlington House, 1955, in “The Burlington Magazine”, vol. XCVII, n. 633, december 1955, p. 388-391.
J. Beckwith, Spitalfields silks of the 18th and 19th centuries, in “The Burlington Magazine”, vol. XCVIII, n. 639, june 1956, p. 211.
C.C. Oman, English Church Plate, 597 – 1830, London 1957.
G. Savage, English pottery and porcelain, London 1961.
E. Aslin, Nineteenth century English furniture, London 1962.
B.J. Morris, Victorian Embroidery, London 1962.
Opus Anglicanum: English Medieval embroidery, catalogo della mostra (London, Victoria and Albert Museum, 26 settembre – 24 novembre) a cura di D. King, London 1963.
G. Wingfield Digby, Elizabethan Embroidery, London 1963.
A. Byron Born, Josiah Wedgwood’s Queensware, in “The Metropolitan Museum of Art bulletin”, n. 22, 1964, 9, pp. 289-299.
R. Edwards, The Shorter Dictionary of English Furniture: From the Middle Ages to the Late Georgian Period, London 1964.
Elizabethan Embroidery: englische Textilkunst aus der Zeit Shakespeares, catalogo della mostra (München, Bayerisches Nationalmuseum; Ausstellung des British Council, 14 marzo – 19 aprile 1964) a cura di G. Wingfield Digby, P. Wardle, München 1964.
C.C. Oman, The early of old English silver, London 1964.
A. Kelly, Decorative Wedgwood in architecture and furniture, London 1965.
C.C. Oman, English silversmiths’ work civil and domestic, London 1965.
Norwich silver 1565 – 1706: loan exhibition, catalogo della mostra (Norwich, Castle Museum, 16 aprile – 12 giugno, 1966) a cura di S. Smith, Norwich 1966.
J. Gardner, The Ivory in the Gambier Parry Collection, in “The Burlington Magazine”, vol. CIX, n. 768, march 1967, pp. 139-144.
J.W. Waterer, Dunster castle, Somerset, and its painted leather hangings, in “The Connoisseur”, vol. 164, n. 661, 1967, pp. 142-147.
English glass, catalogo della mostra (London, Victoria and Albert Museum, 4 luglio – 31 agosto 1968) a cura di R.J. Charleston, London 1968.
E. Aslin, The Aesthetic movement, prelude to Art Nouveau, London 1969.
W.B. Honey, English pottery and porcelain, London 1969.
J. Banister, English silver hall-marks, London 1970.
British sources of Art Nouveau, catalogo della mostra (Manchester, Whitworth Art Gallery, 29 marzo – 03 giugno 1970) a cura della Whitworth Art Gallery, Wilmslow 1970.
C.C. Oman, Caroline silver, 1625 – 1688, London 1970.
H. Honour, Goldsmiths & silversmiths, London 1971.
N.M. Mosley, Paul Storr, 1771 – 1844: silversmith and goldsmith, London 1971.
G. Wingfield Digby, W. Hefford, The Devonshire Hunting Tapestries, London 1971.
J.G. Beckwith, Ivory Carvings in Early Medieval England, London 1972.
The Age of neo-classicism, catalogo della mostra (London, Royal Academy of Arts, 9 settembre – 19 novembre 1972; London, Victoria and Albert Museum, 9 settembre – 19 novembre 1972) a cura del Council of Europe, London 1972.
R. Reilly, G. Savage, Wedgwood: the portrait medallions, London 1973.
J. Beckwith, Ivory Carvings in Early Medieval England: 700 – 1200, London 1974.
M. Holmes, The crown jewels at the Tower of London, London 1974.
C.C. Oman, British rings, 800 – 1914, Batsford 1974.
A.C. Sewter, The stained glass of William Morris and his circle, New Haven 1974.
Stubbs & Wedgwood: unique alliance between artist and potter, catalogo della mostra (London, Tate Gallery 19 giugno – 18 agosto 1974) a cura di B. Tatteresall, London 1974.
C. Lever, Goldsmiths and silversmiths of England, London 1975.
T.F. Reddaway, The early history of the Goldsmiths’ Company, 1327 – 1509, London 1975.
N. Rothstein, Spitalfields Silks, London 1975.
Textile collections of the world, United Kingdom and Ireland, a cura di C. Lubell, vol. II, London 1976.
M.H. Caviness, The early Stained Glass of Canterbury Cathedral, 1175 – 1220, Princeton 1977.
J. Edward, Pictorial Dictionary of 19th century British Furniture Design, Woodbridge 1977.
R. Haggar, E. Adams, M. Miles, Mason porcelain and ironstone, 1796 – 1853, London 1977.
I. Anscombe, Arts & Crafts in Britain and America, London 1978.
J. Baker, A. Lammer, English Stained Glass of Medieval Period, London 1978.
J. Horne, A catalogue of English delftware tiles, London 1978.
C.C. Oman, English engraved silver, 1150 – 1900, London 1978.
P. Thornton, Seventeenth-century interior decoration in England, France and Holland, New Haven 1978.
D. Haselgrove, J. Murray, John Dwight’s Fulham Pottery, 1672 – 1978: a collection of documentary sources, in “Journal of Ceramic History” 11, 1979, pp. 1 – 284.
E. Barr, George Wickes 1698 – 1761, royal goldsmith, London 1980.
R. Reilly, G. Savage, The dictionary of Wedgwood, Woodbridge 1980.
G. Wingfìeld Digby, Victoria and Albert Museum. The Tapestry Collection. Medieval and Renaissance, London 1980.
M.H. Caviness, The Windows of Christ Cathedral Canterbury, in Corpus vitrearum medii aevi: Great Britain, vol. II, London 1981.
H. Honour, Gli argenti. Inghilterra e altri paesi europei, Milano 1981.
K.C. Jones, The silversmiths of Birmingham and their marks, 1750 – 1980, con contributi di J. Banister, London 1981.
A. Grimwade, London goldsmiths, 1697 – 1837: their marks and lives from the original registers at Goldsmiths’ Hall and other sources, London 1982.
L. Parry, William Morris Textiles, New York 1982.
I. Anscombe, Omega and after: Bloomsbury and the decorative arts, London 1984.
M. Budny, T. Tweedle, The Maaseik embroideries, in “Anglo-Saxon England”, vol. XIII, 1984, pp. 65-96.
C. Gere, The art of the jeweller: a catalogue of the Hull Grundy gift to the British Museum, 2 voll., London 1984.
N. Stratford, Three English Romanesque Enamelled Ciboria, in “The Burlington Magazine”, vol. CXXVI, n. 973, april 1984, pp. 204-216.
E. Turner, An introduction to English silver from 1660, London 1985.
The Medieval Treasury: the Art of the Middle Ages in the Victoria and Albert Museum, a cura di P. Williamson, London 1986.
S. Crewe, Stained Glass in England, 1180 – 1540, London 1987.
J. Culme, The directory of gold and silversmiths, jewellers, and allied traders, 1838-1914: from the London Assay Office, 2 voll., Woodbridge 1987.
P. Glanville, Silver in England, London 1987.
H. Newman, An Illustrated Dictionary of Silverware, London, 1987.
J.P. Fallon, Marks of London Goldsmiths and Silversmiths, 1697 – 1837, Newton Abbot 1988.
L. Parry, Textiles of the Arts & Crafts Movement, London 1988.
M. Swain, Tapestries and Textiles at the Palace of Holyroodhouse in the Royal Collection, London 1988.
Artists’ jewellery: Pre-Raphaelite to Arts and Crafts, catalogo della mostra (London, Wartski Ltd, 8 – 21 marzo 1989) a cura di C. Gere, C.G. Munn, London 1989.
J. Horne, English tinglazed tiles, London 1989.
R. Reilly, Wedgwood, 2 voll., London 1989.
The decorative arts in the Victorian period, Atti del Convegno di Studi (London, 22 novembre 1985) a cura di S.M. Wright, London 1989.
P. Glanville, Silver in Tudor and early Stuart England, London 1990.
E. Adams, D. Redestone, Bow Porcelain, London 1991.
E. Cumming, W. Kaplan, The arts and crafts movement, London 1991.
C. Harvey, J. Press, William Morris: design and enterprise in the Victorian Britain, Manchester 1991.
The Art of jewellery in Scotland, catalogo della mostra a cura di R.K. Marshall e George R. Dalgleish (Edinburgh, Scottish National Potrait Gallery 1991), Edinburgh 1991.
W. Hefford, The Cotehele tapestries, London 1991.
J.P. Fallon, Marks of London Goldsmiths and Silversmiths, 1837 – 1914, London 1992.
John Dwight: the master potter of Fulham, 1672 – 1703, and his contemporaries, catalogo della mostra (London, Jonathan Horne Antiques Ltd, 1 ottobre – 18 dicembre 1992) a cura di J. Horne, London 1992.
W. Hefford, The Victoria and Albert Museum’s Textile Collection: design for printed textiles in England from 1750 to 1850, London 1992.
V. Mendes, The Victoria and Albert Museum’s Textile Collection: British textiles from 1900 to 1937, London 1992.
R.W. Lightbown, Mediaeval European Jewellery, London 1992.
C. Gere, Garrard: the Crown jewellers for 150 years 1843 – 1993, London 1993.
D. King, S.M. Levey, The Victoria and Albert Museum’s Textile Collection: Embroidery in Britain from 1200 to 1750, London 1993.
R. Marks, Stained glass in England during the Middle Ages, London 1993.
L. Parry, The Victoria and Albert Museum’s Textile Collection: British textiles from 1850 to 1900, London 1993.
E.C. Parker-Charles, T. Little, The Cloisters Cross: Its Art and Meaning, London 1994.
N. Rothstein, The Victoria and Albert Museum’s Textile Collection: woven textile design in Britain to 1750, London 1994.
Silver from a golden age, 1640 – 1840: a private collection, catalogo della mostra (London, Asprey antiques Ltd, 28 novembre – 9 dicembre 1994) a cura di A. Dickenson, London 1994.
T. French, York Minster: The great east window, in Corpus vitrearum medii aevi: Great Britain, vol. II, Oxford 1995.
C. Garth, The potter’s art: a complete history of pottery in Britain, London 1995.
D. Scarisbrick, Tudor and Jacobean jewellery 1508-1625, London 1995.
Embroidery 1600 – 1700 at the Burrell Collection, catalogo della mostra (Glasgow, Pollock Country Park, 23 febbraio – 14 maggio 1995) a cura di L. Arthur, London 1995.
The Genius of Wedgwood: an exhibition celebrating the remarkable life and work of Josiah Wedgwood 1730 – 1795, catalogo della mostra a cura di H. Young (London, Victoria and Albert Museum, 9 giugno – 17 settembre 1995) London 1995.
I. Anscombe, Arts & Crafts style, London 1996.
R. Ausenda, Wedgwood: Neoclassicism and useful ware, in Applied arts in the Eighteenth and Nineteenth centuries, a cura di V. Pasca, Milano 1996.
C. Gere, C.G. Munn, Jewellery: Pre-Raphaelite to Arts and Crafts, Woodbridge 1996.
C. Hartop, The Huguenot legacy: English silver 1680 – 1760, from the Alan and Simone Hartman Collection, London 1996.
L.V. Ljakhova, Wedgwood’s Green Frog Service and the Imperial court, in British art treasures from Russian Imperial collections in the Hermitage, catalogo della mostra (New Haven, Yale Center for British Art, 05 ottobre 1995 – 01 maggio 1997; Toledo, Toledo Museum of Art, 13 febbraio – 11 maggio 1997; Saint Louis, Saint Louis Art Museum, 27 giugno – 7 settembre 1997; Sankt-Peterburg State Hermitage Museum 1997 – 1998) a cura di B. Hallen, L. Dukelskaya, New Haven 1996.
L.V. Ljakhova, Josiah Wedgwood’s Etruscan Renaissance, in “Pinakoteka” vol. 2, n. 159, 1997, pp. 60-64.
W. Kemp, The Narratives of Gothic Stained Glass, Cambridge 1997.
D. Edwards, English dry bodied stoneware: Wedgwood and contemporary manufacturers 1774 to 1830, Woodbridge 1998.
R. Marks, The medieval stained glass of Northamptonshire, in Corpus vitrearum medii aevi: Great Britain, vol. IV, Oxford 1998.
M. Campbell, English basse taille enamels, in “Annali della Scuola Normale Superiore di Pisa”, IV, 2, pp. 37-46, Pisa 1999.
T. French, York Minster: The St. William Window, in Corpus vitrearum medii aevi: Great Britain, vol. V, Oxford 1999.
N. Ikoku, The Victoria and Albert Museum’s Textile Collection: British textiles from 1940 to the present, London 1999.
R. Emmerson, Stubbs and Wedgwood new evidence from the Oven books, “in Apollo”, vol. 150, n. 450, 1999, pp. 50-55.
H. Young, English porcelain 1745 – 1795: its makers, design, marketing and consumption, London 1999.
S. Coffin, B. Hofstetter, The Gilbert collection: Portrait miniatures in enamel, London 2000.
L.B. Grisby, The Longridge collection of English slipware and delftware, con contributi di M. Archer, M. Macfarlane, J. Horne, 2 voll., London 2000.
E. Adams, Chelsea porcelain, London 2001.
M. Snodin, J. Styles, Design & the decorative arts, Britain 1500 – 1900, London 2001.
L. Hayward, Poole Pottery: Carter & Company and their succesors, 1873 – 2002, Shepton Beauchamp 2002.
A century of silver. The Courtauld family of silversmiths, 1710 – 1780, catalogo della mostra (Londra, Courtald Institute Gallery, giugno 2003) a cura di H. Braham, London 2003.
B. Sprakes, The medieval stained glass of South Yorkshire, in Corpus vitrearum medii aevi: Great Britain, vol. VII, Oxford 2003.
P. Williamson, Medieval and Renaissance stained glass in the Victoria and Albert Museum, London 2003.
East Anglian silver, 1550 – 1750, catalogo della mostra (Norwich, Norwich Cathedral Treasury, 23 settembre – 17 ottobre 2004) a cura di C. Hartop, Cambridge 2004.
T. Ayers, The medieval stained glass of Wells Cathedral, in Corpus vitrearum medii aevi: Great Britain, vol. IV, Oxford 2004.
M.A. Michael, S. Strobl, Stained glass of Canterbury Cathedral, London 2004.
R. Butler, The Albert Collection: five hundred years of British & European silver, London 2004.
P. Atterbury, J. Benjamin, Arts and Crafts to Art Deco: the jewellery and silver of H. G. Murphy, Woodbridge 2005.
R. Holdyard, English pottery, 1620 – 1840, London 2005.
International Arts and Crafts, catalogo della mostra (London, Victoria and Albert Museum, 17 marzo – 24 marzo 2005; Indianapolis, Indianapolis Museum of Art, 27 settembre 2005 – 22 gannaio 2006; San Francisco, Fine Arts Museums of San Francisco de Young, 18 marzo – 18 giugno 2006) a cura di K. Livingstone e L. Parry, London 2005.
K. Livingstone, Essential and crafts, London 2005.
Royal goldsmiths: the art of Rundell & Bridge, 1797 – 1843, catalogo della mostra a cura di C. Hartop (London, Koopman Rare Art 14 giugno – 01 luglio 2005), Cambridge 2005.
Beyond the maker’s mark: Paul de Lamerie silver in the Cahn collection, catalogo della mostra (London, Victoria and Albert Museum, 7 novembre 2006 – 21 gennaio 2007; Memphis, Memphis Brooks Museum, 30 marzo – 22 luglio 2007; Saint Louis, Saint Louis Art Museum, 28 ottobre 2007 – 27 gennaio 2008; Sydney, Powerhouse Museum, marzo – luglio 2008) a cura di E. Alcorn, Cambridge 2006.
W. Hefford, I Mesi di Mortlake, una serie di arazzi inglesi a Genova, in Genova e l’Europa atlantica: opere, artisti, committenti, collezionisti: Inghilterra, Fiandre, Portogallo, a cura di P. Boccardo, C. Di Fabio, Cinisello Balsamo 2006.
S.M. Levey, The embroideries at Hardwick Hall, London 2007.
W. Hefford, The Mortlake manufactory, 1619 – 1649, in Tapestry in the baroque: new aspects of production and patronage, catalogo della mostra (New York, Metropolitan Museum of Art, 17 ottobre 2007 – 1 giugno 2008) a cura di T.P. Campbell, E.A. H. Cleland, London 2007.
K. Aschengreen Piacenti, J.Boardman, Ancient and modern gems and jewels in the Collection of Her Majesty The Queen, London 2008.
P. Glanville, Glory to God in silver, in “Apollo: the international art magazine”, vol.168, n. 556, july – august 2008, pp. 115 – 116.
Treasures of the English Church: a thousand years of sacred gold and silver, catalogo della mostra a cura di T. Schroeder (London, Goldsmiths’ Hall, 30 maggio – 12 luglio 2008), London 2008.
P. Hebgin Barnes, The medieval stained glass of Lancashire, in Corpus vitrearum medii aevi: Great Britain, vol. VIII, Oxford 2009.
British textiles: 1700 to the present, a cura di L. Parry, London 2010.
S. Duffy, C.M. Vogtherr, Miniatures in the Wallace Collection, London 2010.
C. Gere, Artistic circles: design & decoration in the aesthetic movement, London 2010.
C. Gere, J. Rudoe, Jewellery in the age of Queen Victoria, London 2010.
S.M. Levey, An Elizabethan inheritance: the Hardwick Hall textiles, Swindon 2010.
P. Williamson, Medieval Ivory Carvings: Early Christian to Romanesque, London 2010.
K. Livingstone, The bookplates and badges of C.F.A Voysey, Woodbridge 2011.
D. Bennett, Liberty’s furniture: 1875 – 1915: the birth of modern interior design, Woodbridge 2012.
Gold: power and allure, catalogo della mostra (London, Goldsmiths’ Hall, 1 giugno – 28 luglio 2012) a cura di H. Clifford, London 2012.
Sacred Stitches: ecclesiastical textiles in the Rothschild collection, catalogo della mostra a cura di R. Boak (Waddesdon Manor, 27 marzo – 27 ottobre 2013), Waddesdon 2013.
D. Whaley, Dominique Daguerre and Josiah Wedgwood, in “The journal of the Walters Art Museum”, n. 70 – 71, 2013, pp. 43-48.
William Kent: designing Georgian Britain, catalogo della mostra (New York, Bard Graduate Center, 20 settembre 2013 – 16 febbraio 2014; London, Victoria and Albert Museum, 22 marzo – 13 Luglio 2014) a cura di S. Weber, New Haven 2013.
Art & Soul: Victorias and the Gothic, catalogo della mostra (Exeter, Royal Albert Memorial e Art Gallery, 22 novembre 2014 – 12 aprile 2015) a cura di J. Parker, C. Wagner, Bristol 2014.
N. Stratford, The Cloisters Cross, in “The Burlington Magazine”, vol. CLVI, n. 1336, july 2014, p. 464.
M. Tavella, Two coral cabinets made for Claude Lamoral I, Prince de Ligne and Viceroy of Sicily, in “The Burlington Magazine”, vol. CLVI – n. 1336, July 2014, pp. 428-439.
P. Williamson, G. Davies, Medieval Ivory Carvings, 1200 – 1550, London 2014.
British silver: State Hermitage Museum catalogue, catalogo a cura di M. Lopato, New Haven 2015.
P. Cormack, Arts & Crafts stained glass, New Haven 2015.
C. Hartop, Art in Industry: the silver of Paul Storr, Cambridge 2015.
T. Schroeder, English Silver before the Civil War: The David Little Collection, Cambridge 2015.
English medieval embroidery: Opus Anglicanum, catalogo della mostra (London, Victoria and Albert Museum, 01ottobre 2016 – 05 febbraio 2017) a cura di C. Browne, G. Davies, M.A. Michael, London 2016.
S. Intorre, Coralli trapanesi nella collezione March, Palermo 2016.
K. Livingstone, M. Donnelly, L. Parry, C.F.A. Voysey: Arts & Crafts Designer, London 2016.
N. Morgan, Some Iconographic Aspects of Opus Anglicanum, in The Age of Opus Anglicanum, Atti del Convegno di Studi (London, Victoria and Albert Museum, 15 febbraio 2013) a cura di M.A. Michael, London 2016.
J. Allen, The Stained glass Museum: Highlights from the Collection, London 2017.
S. Brown, Stained glass at York Minster, London 2017.
E. Coatsworth, Opus Anglicanum. London, in “The Burlington Magazine”, vol. CLIX, n. 1366, january 2017, p. 56-57.